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Our documentary explores the fallout for a country and a people when the media spotlight turns away, in search of “hotter” news. How, we ask, has this affected the economic and social development of the people and institutions of Nicaragua? Are Nicaraguans happy to be
“invisible” again, or do they miss the journalists, politicians,
human rights observers, solidarity people and aid workers which media
attention inevitably brings? The film is complete and will be broadcast on TV Ontario, other educational broadcasts across Canada and by broadcasters worldwide. As with our previous film The World Is Watching (1987) we expect The World Stopped Watching to be used widely in media literacy and development education.
Fourteen years ago, we made a one-hour documentary film, The World Is Watching. Shot in Nicaragua in the fall of 1987 - at the height of the Reagan administration's "Contra War" against Nicaragua's Sandinista revolutionary government - the film followed four international journalists at work. Four young reporters who had missed Vietnam and four seasoned journalists alike, Nicaragua was a reasonably safe and exciting place to make their mark and build their careers. The sleepy Central American capital of Managua was suddenly the centre one of the hottest international "stories". Our documentary asked provocative questions about the role and responsibility of First World journalists working in the Third World. How, we asked, is the complexity of this revolutionary movement and the impact it has on the lives of Nicaraguans, reflected in the news reports we watch and read back home?
described The World Is Watching as "a brilliant piece of work, documentary-making of the highest order"; distinguished Canadian broadcaster Peter Truman called it "one of the best things ever done about the crippling limitations of TV news"; and the Toronto Globe & Mail's John Haslett Cuff wrote that the documentary was "a disturbing and important film that not only deserves network exposure but should also be shown to all media literacy and current events classes in the country."
During our 10-day shoot in December, we followed U.S. journalists Bill Gentile and Randolph "Ry" Ryan on their quest to discover what had become of the Nicaraguan revolution (Ryan and Gentile were two of the journalists we filmed for the original documentary). Gentile was Newsweek's, Managua-based photographer throughout the Sandinista period. Now a professor of Journalism at Kent State University, he also shoots, edits and produces occasional documentaries for ABC's Nightline and for Bill Moyers' PBS programme, NOW. In December, Gentile was producing an 8 minute segment for NOW to be aired in late March, 2003. Boston Globe columnist and editorial writer, Ry Ryan was part of the Globe team that produced War & Peace in the Nuclear Age, a magazine special which won the Pulitzer Prize for national reporting. In
(Sadly, Ry died suddenly in Boston just one week after returning from our December shoot. The Boston Globe's obituary quotes Noam Chomsky, "Through the 1980s, Mr. Ryan's editorials and op-ed columns in the Globe constituted some of the most important work on Latin America.'') Gentile and Ryan travel led
hundreds of miles through Nicaragua in December, digging up their old
contacts and exploring reports of severe malnutrition among unemployed
coffee pickers. In Managua, they had revealing interviews with:
- former Nicaraguan Vice President
and renowned author, Sergio Ramirez, now disaffected with the Sandinistas; - former US-based Sandinista spokesperson Alejandro Bendaña, whose ABC TV's Nightline appearances during the late 80s were outnumbered only by Henry Kissinger, Alexander Haig and Jerry Falwell; - Univision TV correspondent
Tifani Roberts, a veteran of the Managua media scene going back to 1980s;
- former Sandinista consul and intelligence operative in Miami, Mario Gonzalez, today a prize-winning coffee grower seeking U.S. markets.
World Is Watching. Gentile and Ryan also interviewed Carmela's grandchild Alexei, who lost a leg during the contra attack. Today, he dreams of studying computers, despite living in terrible poverty.
Quintero, who today manufactures cement blocks opposite a new Holiday Inn; and a former contra sniper, Roberto Robelo, who is now a bed-ridden quadriplegic.
In the remote village of Mulukuku, near the northeast mining triangle, Gentile and Ryan encountered an elderly widow, Aurora, whose family disintegrated after her eldest son and sole means of support was killed serving in the Sandinista militia. And in Ciudad Antigua, Gentile and Ryan met with Ciriaco "Lucero" Pulido, former Contra soldier, now a peasant farmer, who was unexpectedly identified as being involved in the cold-blooded execution of 12 civilians. En route back to Managua, Gentile and Ryan interviewed Senora Kuhl, owner of the Selva Negra coffee finca, and the crew filmed coffee workers in and around Matagalpa. In the town of Esteli, Ryan interviewed Merling Preza, head of a union that represents small coffee farmers (and several thousand workers) rendered desperate by the world market glut and expansion in Vietnamese production. Apart from our December shoot in Nicaragua, we also conducted interviews with several seasoned journalists who reported from Nicaragua. In London we spoke with Jon Snow, Senior News Editor and Presenter for Britain ITN Television News (Jon was one of the journalists we followed in The World Is Watching). In Paris, we interviewed Edith Coron, former reporter for Liberation and The Sunday Times of London, (Coron has now left journalism to pursue a career in international conflict resolution). In Montreal, we interviewed the CBC's Bernard Drainville, one of the last North American correspondents based full-time in Latin America (He is Radio Canada's Bureau Chief in Mexico City). Drainville was the only North American reporter to cover the 2001 Nicaraguan elections. We spoke with Drainville about why the world stopped watching Nicaragua and the singular role of Daniel Ortega as an enduring, if tarnished, media symbol of the Sandinista revolution.
paid himself more than Bill Clinton. According to recent UNESCO reports, 26% of Nicaraguan children never set foot in a classroom, twice the Latin American average - just one of the many development challenges facing Nicaragua today. Gilles Paquin is taken on a tour of the dump by Eddy Perez, who runs a drop-in centre for children who survive by living off the dump. This man is a saint.
war who now work at educating children about the dangers of landmines. Fifteen years after the end of hostilities, landmines are still found by the thousands in farmer’s fields throughout the countryside.
Apart from a brief blip in foreign news coverage when Hurricane Mitch swept through the region, Nicaragua disappeared from TV screens and front pages in 1990 - when the electoral defeat of Daniel Ortega coincided with the end of the Cold War. Nicaragua has since been treated as sleepy backwater. The only news from the region is of natural disasters. The World Stopped Watching is provocative and compelling television. Snow and Coron join Bill Gentile, Ry Ryan and Gilles Paquin in describing what they learned about their profession and its responsibilities to its subjects. Has their commitment and belief in the power of journalism increased or diminished? And what of the Nicaraguans left behind? What of the democracy they now live in? And why should it matter to us?
On January 2, 2003, two weeks after our return from the December shoot in Nicaragua, Ry Ryan died of a heart attack, at his home in Boston. It was a huge shock to his wife, children and all of us who knew him and had spent such an intimate time traveling together. Ry was a brave journalist and a good friend. He cared about Nicaragua. He had many Nicaraguan friends. In early February, some of the men and women who knew and respected Ry, gathered at the Managua home of cameraman, Jan Van Bilsen to morn his passing and celebrate his life. They watched a nine-minute video, which we had edited - incorporating excerpts from "The World Is Watching" and from our shoot for "The World Stopped Watching".
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copyright 2003 White Pine Pictures. |
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