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![]() Watari Dori, A Bird of Passage chronicles Irene Tsuyuki's journey as a second generation Japanese Canadian. Tsuyuki's father had come to Canada between 1907 and 1910. After WWII he chose to take his family and go back to his native Japan. In 1949 Irene returned to Canada, determined to live the better life that her father set out to find years before. Not long after Tsuyuki's father settled in Canada, he sent for a picture bride, also known as a mail-order bride. Up until 1907 almost all Japanese immigrants had been young men. In 1907, however, Canada insisted that Japan limit the migration of males to Canada to 400 per year. As a result, most immigrants from then on were women coming to join their husbands. In 1928 Canada further restricted Japanese immigration to 150 persons annually. In 1940 Japanese immigration stopped completely and did not begin again until 1967(2). Like almost all of the first wave Japanese immigrants, the Tsuyukis put down roots in British Columbia. Irene's father started a retail repair shoe store on Powell Street, the heart of the Japanese Canadian community in Vancouver. Before WWII, Japanese Canadians were not welcomed into mainstream Canadian society. They congregated in their own enclaves such as Powell Street, and in the Fraser Valley villages such as Steveston and Mission City. Japanese Canadians developed their own social, religious and economic institutions, built Christian churches and Buddhist and Shinto temples, Japanese language schools, community halls, and hospitals staffed by Japanese doctors and nurses. And they formed co-operative associations to market their produce and fish, and community and cultural associations for self-help and social events. By 1941, there were more than 100 clubs and organizations within a tightly knit community of 23,000 individuals, half of whom were children(3).
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